Chris has a new interview and photoshoot with GQ Magazine! He looks so good, as always! I will get scans added from the magazine when it releases! Hopefully we get some more photos from this amazing shoot!

At some point, not long after Chris Evans finished the seventh of seven contractually obligated Captain America performances with 2019’s Avengers: Endgame, he left Los Angeles. The idea was, well—there were a few ideas. One was getting out of a town that Evans associates with “Pavlovian anxiety.” Another was going back home to Massachusetts, where Evans grew up and where he’s often resided since 2014. When he steps off the plane there, he says, it “takes me back to a place when life was not just simpler—that’s too reductive—but to a time where I was more pure, I guess; where my ego and my insecurities weren’t such a dominant force that I had to push against.” At his house just outside Boston, Evans says, “I really take my time.” Just thinking about it makes him smile. His voice turns boyish, sweet, soft: “I can’t believe I’m 42.”

Evans has been working steadily and successfully in Hollywood for more than 20 years. But he has not always felt in control there. When he was younger, he acted in a lot of what he now describes as “bad movies.” His first real successes in the industry came by way of a series of characters who were “jocky pricks,” he says: handsome, muscular assholes whose smugness was their most memorable quality. And then came Steve Rogers, otherwise known as Captain America, a character so defined and iconic—unlike other Marvel heroes, Cap has basically been the same virtuous guy since the day of his invention in 1940—that Evans’s main job was as much to be a caretaker as it was to be an inventor or an explorer.

None of these roles line up all that precisely with the way Evans is in his daily nonworking life, a fact that suits him. “There are some people that you meet and you just think, Man, that’s a movie star,” he says. He is adamant that he is not one of them. “I love to act,” he says. “But it’s not something that I couldn’t live without.” He has had enough success to be financially secure for the rest of his life, and probably a few lifetimes beyond. But despite that success, or maybe because of it, he is interested in, well: anything but the grand narrative of Chris Evans. “When I don’t pay attention to myself at all,” he says, “and just, you know, question why black holes exist, that brings into perspective a macro understanding of the fact that I’m even here is a miracle. It’s like shooting a bullet with another bullet. I mean, the fact that any of us are here is unbelievable. And that kind of just brings me a sense of deep peace. And I don’t have any more thoughts or questions about my own career.”

Before we met, I’d had this idea that in Evans’s life and work could be found all sorts of interesting notions about what it is to be a leading man in a modern film industry that is even now fighting for a sustainable logic. I thought: Last year alone he filmed three projects—Apple’s action comedy Ghosted, with Ana de Armas; Netflix’s Pain Hustlers, a sly, clever movie about the opioid crisis; and Amazon’s upcoming Christmas movie Red One, with Dwayne “The Rock” Johnson—that seem to tell a story about Hollywood in 2023, where the streamers are dominant, the actors and the writers are now on strike, and guys like Evans are trying to find their version of the careers that sustained their predecessors, where art and commerce coexist and original storytelling is still possible.

Then we met and Evans told me that all this, while potentially interesting to someone, is something he personally would prefer to never think about. It’s why he left Los Angeles in the first place. In Massachusetts, he says, he pays close attention to the passing of the seasons. He will literally marvel at a flower. “The fact that trees are green blows my mind,” Evans says. There are those who wonder at the universe because they’re naturally disposed to contemplate themselves as a small speck in a giant and ever expanding galaxy. And Chris Evans is probably one of those people, on balance. But mostly, these days, he marvels at the universe as a defense mechanism. “I’ve just learned early on that when I go small, I suffer,” Evans says. “When I look at my own life and it’s under a microscope, or when I consider my own experience, it leads to cyclical unhappiness.”

Read more at GQ.com

Chris has been announced as PEOPLE’s 2022 Sexiest Man Alive! I mean finally, right? The photoshoot looks absolutely amazing. Very.. sexy! You can find the new photos in our gallery and watch a BTS/interview with Chris below.

PEOPLE – If you were to tell a middle school-aged Chris Evans that he would one day be named PEOPLE’s Sexiest Man Alive, “he’d be pumped!” the star tells the magazine in this week’s cover story. “This would probably be the road to the cool table which I was not at.”

Present-day Evans, 41, is still adjusting to the new title—and having to talk about it—but he knows this news will delight at least one person: “My mom will be so happy,” he says. “She’s proud of everything I do but this is something she can really brag about.”

It’s a sunny fall day on an estate outside Atlanta, Ga. where Evans is sitting in front of the fireplace in a quaint farmhouse. Although he appears to have fully understood this particular assignment, dressed in a cozy knit sweater and jeans, the Boston native would probably rather jump into said fireplace than discuss being deemed sexy.

“This whole thing is tough to be interviewed about,” he says with a laugh. “It feels like a weird form of humble bragging.”

The Gray Man star is also bracing for some good-natured ribbing from his close friends. “Really this will just be a point of bullying,” he jokes. “It’s ripe for harassment.”

Regardless, his mom Lisa is delighted by the news. “I am not surprised at all,” she tells PEOPLE. “Our family will be beside themselves.”

Best known for playing the altruistic, self-sacrificing superhero Captain America in Marvel’s multi-billion-dollar Avengers franchise, and as a devoted, photo-happy dog dad to Dodger, his boxer mix, on social media, Evans is far more comfortable talking about his career, which has been on fire for the last decade. This year alone, he starred in Pixar’s Lightyear, Netflix’s Gray Man and filmed three new movies, including 2023’s Ghosted for AppleTV+ which he is also producing, and also still co-runs A Starting Point, the civic engagement platform he launched in 2020.
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Chris Evans is the new ambassador for Smart Communications‘s new 2021 campaign Live Smarter for a Better World. You can check out photos from the photoshoot, behind the scenes, and screen captures in the gallery. Below you can also watch the TVC and a short message from Chris!

THE WASHINGTON POST – BOSTON — So you’re Tim Scott, the Republican senator from South Carolina who opposes Roe v. Wade and wants to repeal the Affordable Care Act, and you get a call from Chris Evans, a Hollywood star and lifelong Democrat who has been blasting President Trump for years. He wants to meet. And film it. And share it on his online platform. Can anybody say “Borat?”

“I was very skeptical,” admits Scott. “You can think of the worst-case scenario.”

But then Scott heard from other senators. They vouched for Evans, most famous for playing Captain America in a series of films that have grossed more than $1 billion worldwide. The actor also got on the phone with Scott’s staff to make a personal appeal.

It worked. Sometime in 2018, Scott met on camera with Evans in the nation’s capital, and their discussion, which ranged from prison reform to student loans, is one of more than 200 interviews with elected officials published on “A Starting Point,” an online platform the actor helped launch in July. Not long after, Evans appeared on Scott’s Instagram Live. They have plans to do more together.

“While he is a liberal, he was looking to have a real dialogue on important issues,” says Scott. “For me, it’s about wanting to have a conversation with an audience that may not be accustomed to hearing from conservatives and Republicans.”

Evans, actor-director Mark Kassen and entrepreneur Joe Kiani launched “A Starting Point” as a response to what they see as a deeply polarized political climate. They wanted to offer a place for information about issues without a partisan spin. To do that, they knew they needed both parties to participate.

Evans, 39, sat on the patio outside his Boston-area home on a recent afternoon talking about the platform. He wore a black T-shirt and jeans and spent some of the interview chasing around his brown rescue dog.

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Nearly 100 million people didn’t vote in the 2016 general election, Evans says. That’s more than 40 percent of those who were eligible.

He believes the root of this disinterest is the nastiness on both sides of the aisle. Many potential voters simply turn off the news, never mind talking about actual policy.

“A Starting Point” is meant to offer a digital home for people to hear from elected officials without having the conversation framed by Tucker Carlson or Rachel Maddow.

“The idea is . . . ‘Listen, you’re in office. I can’t deny the impact you have,’ ” says Evans. “ ‘You can vote on things that affect my life.’ Let this be a landscape of competing ideas, and I’ll sit down with you and I’ll talk with you.”
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ESQUIRE – The artist formerly known as Captain America is found in seclusion at his rambling farmhouse, set back from the road on a couple of sylvan acres in the Boston suburbs, not far from his childhood home. It’s a warm, late-winter afternoon. The trees are bare. The sky is clear. Patches of melting snow cover the ground.

With his fortieth birthday on the horizon, Chris Evans seems to have undertaken a retreat, returning to familiar ground to regroup. The Marvel Cinematic Universe now behind him, the actor has the time, money, and wherewithal to pursue anything he wants.

All he has to do is figure out what.

Evans is sitting in an armchair by an unlit fireplace in an area off the kitchen, an informal sort of room you might call a den. The furnishings appear to be mid-century modern, a style often seen in Los Angeles, where he has a house in the Hollywood Hills. Evans is welcoming but not warm, broish in a manner that bespeaks form over content. In person he seems very much like the guy onscreen; his upper torso is sculpted in a way that suggests he’s still wearing his Avengers uniform under his green tartan flannel shirt. His ball cap has a shamrock on the front panel.

Evans’s mutt is snoozing at my feet, letting out the occasional fart. His name is Dodger, after Evans’s favorite character in the Disney movie Oliver & Company—the roguish mongrel who leads Fagin’s gang of orphans. The pair met in 2016 at a Savannah rescue shelter where Evans was filming a scene for the feel-good movie Gifted.

You would never know it from the spotless condition of the premises, but last night Evans hosted friends for karaoke. I ask him his favorite song choice. “You can’t go wrong with Billy Joel,” he says. (Coincidentally, it was Joel who voiced Dodger in the animated film.) His lifelong crew includes a cardiologist, an engineer, a computer guy. Like Evans, they’ve made good but stuck around, rooted in their home soil, die-hard fans of the Red Sox, and the changing seasons.

Evans’s latest acting project, Defending Jacob, is about to debut on Apple TV+. On the show, he plays an assistant district attorney in a small town who finds himself torn between his professional responsibilities and his love for his teenage son, who has been accused of a gruesome murder. As the episodes proceed, Evans’s character confronts his own secret past.

The limited series was shot in the Boston suburbs. “It felt like I had a regular nine-to-five job,” he says. “I’d sleep in my own bed; I’d see my family on weekends. A lot of times you have a bit of a nomadic lifestyle as an actor. You live out of suitcases and in cities you’re not familiar with. Doing Jacob made me feel like I was home but still doing what I love. It was incredibly comforting.” His real estate holdings notwithstanding, he considers this his home. He spends a lot of time with his brother, the actor Scott Evans (One Life to Live, Grace & Frankie); his younger sister, Shanna; and his older sister, Carly, and her children. He often calls his mom, Lisa, ten minutes before dinner to tell her he’s coming over to eat.

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Chris is featured on the cover of The Hollywood Reporter for the March 27th issue. Check out the amazing shoot in the gallery and I’ll add scans from the issue soon!

THE HOLLYWOOD REPORTER – Ahead of ‘Avengers: Endgame,’ the progressive Captain America actor and Twitter firebrand says he’s ready to retire his Marvel hero for directing gigs, a new Apple show and the fight against the “dumb s—” president: “I’d be disappointed in myself if I didn’t speak up.”

It’s a Friday afternoon in February, and the view from Chris Evans’ house in the Hollywood Hills consists mostly of fog. He bought this place for $3.2 million in 2013, back when he was two hit movies into his seven-film stint as Marvel Studios’ Captain America; there’s a Zen-ish garden inside the front gate, and a stone Buddha sits by the door. Evans banishes his dog, Dodger, to the guest room, shuts off the TV in the family room (CNN on mute), cracks a can of Modelo, and takes a seat on the couch. His arms are insane, as thick as thighs.

Evans has a movie coming out in a few months — an intimate little passion project called Avengers: Endgame (April 26). It’s the sequel to last year’s Avengers: Infinity War, which raked in $2 billion worldwide and ended with Thanos (Josh Brolin) disintegrating half of Earth’s population, including the still-bankable likes of Black Panther and Spider-Man. The moody trailers for Endgame are designed to reveal even less than usual, but it’s safe to assume that Captain America rallies Earth’s mightiest surviving heroes for a rematch with the mad god who finger-snapped their friends and loved ones into oblivion, which means this will be the first of the four Avengers movies to depict actual avenging.

Evans — who made $15 million for the past two Avengers films, up from $300,000 for his first stint as Captain America — has said he’s done playing the character after this. It’s been reported that he intends to retire from acting entirely. And yet the announcements of new work keep coming. He’s in Rian Johnson’s crowded-house murder mystery Knives Out, due in November. He’s playing the father of a teenager accused of murder in Apple’s forthcoming limited series Defending Jacob. He’s in talks to star in Antoine Fuqua’s Infinite as a presumably Chris Evans-ish guy who can recall his past lives. It’s a crowded dance card for a newly retired 37-year-old actor, and when I bring this up, Evans gets as annoyed as he’ll get all afternoon.

Read the rest of the interview at the source

NY TIMES – Chris Evans has a theory about tap dancing. “Tap is waiting to have its day,” he said one recent afternoon, sitting in a TriBeCa hotel clubhouse around the corner from an apartment he’s been renting since last month. Mr. Evans, or Captain America, as he’s been known in omnipresent Marvel movies for the better part of a decade, tapped as a child and still has sincere reverence for the form. His theory is that tap dancing today, like competitive hip-hop dancing in the early 2000s, is generally undervalued and ripe for a comeback.

“If you walk down the street and you see someone tapping,” you stop in your tracks, he said, using an unprintable word, “because it’s awesome.”

Twice a week since he’s been living in New York, Mr. Evans, who ordinarily splits his time between his native Boston and Los Angeles, has taken refuge in tap, clearing his mind and working up a sweat in private lessons taught by a friend. The lessons aren’t preparation for any role in particular, although Mr. Evans is hard at work on a pivotal one: his Broadway debut, as a charming but manipulative cop in Kenneth Lonergan’s “Lobby Hero,” which is now in previews and opens March 26 at the Helen Hayes Theater.

The dancing, rather, is just a low-pressure new hobby (“It makes me feel like I’m a part of the music,” Mr. Evans said.) Along with the play, and the move to a new city, it’s one component in an ad hoc but inevitable process — not quite a rebirth, more like a re-orientation — designed to help the 36-year-old actor answer a nagging question: What do you do with your life after walking away from the role of a lifetime?

Since 2011, the year “Captain America: The First Avenger” was released, Mr. Evans’s face (and torso, and biceps) has signified a marketable mix of principled strength and rank-and-file virtue as reliably as any in Hollywood. He was a working-class revolutionary in the dystopic thriller “Snowpiercer,” a stoic defender of the public school system in the indie family drama “Gifted,” a cunning spy who risks everything to save a persecuted minority in the soon-to-be-released “The Red Sea Diving Resort.”
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VANITY FAIR – On a sweltering October weekend, the largest-ever group of Marvel superheroes and friends gathered just outside of Atlanta for a top-secret assignment. Eighty-three of the famous faces who have brought Marvel’s comic-book characters to life over the past decade mixed and mingled—Mark Ruffalo, who plays the Hulk, bonded with Vin Diesel, the voice of Groot, the monosyllabic sapling from Guardians of the Galaxy. Angela Bassett, mother to Chadwick Boseman’s Black Panther, flew through hurricane-like conditions to report for duty alongside Robert Downey Jr., Scarlett Johansson, Gwyneth Paltrow, Brie Larson, Paul Rudd, Jeremy Renner, Laurence Fishburne, and Stan Lee, the celebrated comic-book writer and co-creator of Iron Man, Spider-Man, Doctor Strange, the Fantastic Four, and the X-Men.

Their mission: to strike a heroic pose to commemorate 10 years of unprecedented moviemaking success. Marvel Studios, which kicked things off with Iron Man in 2008, has released 17 films that collectively have grossed more than $13 billion at the global box office; 5 more movies are due out in the next two years. The sprawling franchise has resuscitated careers (Downey), has minted new stars (Tom Hiddleston), and increasingly attracts an impressive range of A-list talent, from art-house favorites (Benedict Cumberbatch and Tilda Swinton in Doctor Strange) to Hollywood icons (Anthony Hopkins and Robert Redford) to at least three handsome guys named Chris (Hemsworth, Evans, and Pratt). The wattage at the photo shoot was so high that Ant-Man star Michael Douglas—Michael Douglas!—was collecting autographs. (Photographer Jason Bell shot Vanity Fair’s own Marvel portfolio shortly afterward.)

But it wasn’t Samuel L. Jackson’s Nick Fury or even Chris Evans’s Captain America who assembled Earth’s mightiest heroes. They came for Kevin Feige, the unassuming man in a black baseball cap who took Marvel Studios from an underdog endeavor with a roster of B-list characters to a cinematic empire that is the envy of every other studio in town. Feige’s innovative, comic-book-based approach to blockbuster moviemaking—having heroes from one film bleed into the next—has changed not only the way movies are made but also pop culture at large. Fans can’t get enough of a world where space-hopping Guardians of the Galaxy might turn up alongside earthbound Avengers, or Doctor Strange and Black Panther could cross paths via a mind-bending rift in the space-time continuum. Other studios, most notably Warner Bros., with the Justice League, have tried to create their own web of interconnected characters. Why have so many failed to achieve Marvel’s heights? “Simple,” said Joe Russo, co-director of Avengers 3 and 4. “They don’t have a Kevin.”

Before Feige, Marvel Studios wasn’t even making its own films. Created in 1993 as Marvel Films, the movie arm of the comics company simply licensed its characters to other studios, earning most of its money from merchandise sales. (The popular 2002 Sam Raimi-directed Spider-Man movie, for example, was made by Sony’s Columbia Pictures.) Feige was part of the team that pushed for the studio to take full creative control of its library of beloved characters, a risky move at the time. “For us old-timers—me and Robert [Downey] and Gwyneth [Paltrow] and Kevin—it felt like we were the upper-classmen,” Jon Favreau, director of the first two Iron Man movies, told me shortly after the photo shoot. “We were emotional . . . thinking about how precarious it all felt in the beginning.”

Read more of the story at the source

Chris is featured in the Summer issue of Empire. I’ve added some digital scans from the magazine, thanks to AliKat. I’ve also added some outtakes from the magazine to the gallery. Enjoy!

L’Uomo Vogue is featured in the April 2017 issue of L’Uomo Vogue. I absolutely love this photoshoot! I’ve added digital scans along with a few outtakes from the magazine to the gallery. Hopefully we’ll be able to get these in better quality soon.