Chris Evans talks about his civic engagement site A Starting Point and why he wants to give elected officials a bipartisan platform to explain and debate policy.
DEADLINE – EXCLUSIVE: Fresh from an earnings report that saw it add 10 million subscribers during the pandemic, Netflix has just set its most financially ambitious feature film so far. Ryan Gosling and Chris Evans are set to star in The Gray Man, with AGBO’s Joe & Anthony Russo directing their first blockbuster since setting the all-time global box office record with Avengers: Endgame two years ago. The intention here is to create a new franchise with a James Bond level of scale and a budget upward of $200 million.
The Russos’ AGBO is producing, and the script was written by Joe Russo, with a polish by Christopher Markus and Stephen McFeely, who scripted the Russo-directed Captain America and Avengers films and who are Co-Presidents of Story at AGBO. It is based on the 2009 Mark Greaney novel that introduced the Gray Man, a freelance assassin and former CIA operative named Court Gentry.
The film will be produced by AGBO’s Russo Brothers and Mike Larocca, along with Joe Roth and Jeff Kirschenbaum for Roth Kirschenbaum. They are eyeing a January start date in Los Angeles with international locations being finalized.
The action thriller is a deadly duel between killers as Gentry (Gosling) is hunted across the globe by Lloyd Hansen (Evans), a former cohort of Gentry’s at the CIA. The Gray Man turned into a bestselling book series, and the expectation is that Gosling will continue in multiple installments. The project was developed years back at New Regency as a Brad Pitt/James Gray vehicle, but it stalled. The Russos quietly have been developing it for years.
“The movie is a real mano a mano between those two great actors who represent two different versions of the CIA, in what it can be, and what it can do,” Anthony Russo told Deadline. “For those who were fans of Captain America: Winter Soldier, this is us moving into that territory in more of a real-world setting. That’s what this movie really means for us.”
Said Joe Russo on the film’s scale: “The intention is for it to be competitive with any theatrical, and the ability to do with with Gosling and Evans is a dream for us. The idea is to create a franchise and build out a whole universe, with Ryan at the center of it. We have all committed to the first movie, and that’s got to be great to get us to the second movie. These are master assassins, and Gosling’s characters gets burned by the CIA and Evans’ character has to hunt him down. We have a great working relationship with Netflix, and we go back almost 20 years with Scott Stuber. We formed AGBO to be an agnostic storytelling company, where we figure out the best platform. We think Netflix is the perfect place for this film.”
This is a lot of faith Netflix is placing on the Russo Brothers, but aside from the Avengers box office record, the AGBO-produced action film Extraction with Chris Hemsworth, Golshifteh Farahani and Randeep Hooda became the most watched Netflix original movie of all time. A sequel is in the works with Sam Hargrave returning as director and Joe Russo writing the script.
The Russo Brothers formed AGBO to be a platform-agnostic storytelling production venture, but if The Gray Man works, this will give them two franchises at Netflix, each based on original IP. They are back in business with Evans, who like Hemsworth graced the four Marvel movies, and they are working with Gosling for the first time.
CAA reps the Russo Brothers, Gosling and Evans, and the latter is managed by 3 Arts.
Hoping for a speedy recovery for the boy!
Bridger, 6 years old, saved his little sister from an attacking dog. He knew he would get hurt, but he did it anyway. He’s a hero.
So, we made this happen. One of the most fulfilling things, ever, huge thanks to Chris Evans.
Spread love. ❤️ pic.twitter.com/PKxeHcyPyk
— BD (@BrandonDavisBD) July 16, 2020
Television Productions > Defending Jacob (2020) > Promotionals
Before Chris Evans became Chris Evans, superhero and superstar, he made a habit of asking scene partners the question every starry-eyed artist wants to ask: “What’s your process?”
“I’ve met some actors who are wildly self-aware, wildly self-possessed, incredibly intelligent people,” he says. “I’ve also met actors who have no idea what’s going on around them at any given moment. And both can turn in phenomenal performances. It really begs the question: What is going on in your head when you see a piece of paper with a bunch of words?”
Somewhere on the journey from acting in school plays just outside Boston to a blockbuster career in indie flicks, on Broadway, and almost a dozen appearances in the Marvel Cinematic Universe as Captain America, and on to his recent impressive turn on the Apple TV+ limited series “Defending Jacob,” Evans stopped asking the question—but not because he’d settled on an answer.
“The only conclusion I can draw is that there is no formula,” he says. “I think it’s meant to be in a constant state of rebirth. It’s this organic, living thing that you have to re-examine with every character.
“Sorry if that made me sound pretentious; I’m hearing myself right now,” he adds with a groan.
Evans is too articulate about his 20-year love affair with acting and, frankly, too charming to ever come off as pretentious. In his conversation with Backstage, conducted remotely from his home in Los Angeles, he overflows with practical advice for his peers and fellow students of the craft.
Actors at the beginning of their careers could take a leaf out of Evans’ book: During the summer before his senior year of high school, he wrote to New York City casting offices about interning. “I figured I should probably have a job that brought me into contact with agents,” he remembers. While he was assisting with casting bit parts on the Michael J. Fox sitcom “Spin City,” he ended up “talking to agents every day and keeping a little book of the agents who were nice.” He then asked to read monologues for the agent who, after Evans finished school early to audition for pilot season, got him a role on 2000’s short-lived Fox comedy “Opposite Sex”—plus plenty of other auditions he did not book.
“Oh, god,” he says when the subject of auditioning comes up. “Ninety-five percent of the work is rejection. Those first 10 years, you’ve got to put the gloves on for every job and you’ve got to get in the ring.” For the first half of his career, Evans emerged from most auditions convinced he not only wasn’t getting the part, but that he wasn’t getting any part ever again. “When all you hear in your head is that high-pitched buzzing sound and your palms are sweating and you feel like you can’t catch your breath,” he deadpans, “that’s the opposite of trying to drop into a moment.”
Read more at Backstage.com
Paul Rudd (“Living With Yourself”) and Chris Evans (“Defending Jacob”) join Variety Studio’s Actors on Actors #AtHome where the two Marvel alum discuss their time as superheroes on the billion dollar franchise and transitioning from the big screen for TV.
Today is the incredible Chris Evans’ 39th birthday! On behalf of Chris Evans Central and all Chris fans around the world, we wanted to wish you a very happy birthday! We are all wishing you another year of happiness, success, joy, health, and love. Hope you are staying safe!
To celebrate Chris’ birthday this year, we have brand new layouts up on the site thanks to my friend Jasper. I have also added exclusive outtakes from two photoshoots of Chris. One is from an old photoshoot back in 2011 and the second for Esquire Middle East Magazine in 2016. I hope you enjoy them, and I will of course have some more in the future to post! Happy Birthday Chris!
I hope you all had a chance to watch the final episode of Defending Jacob titled “After.” I thought this episode was a great finale to the show. I feel like there would have been great potential for a second season. Check out the gallery for episode stills and screen captures from the episode!
“Defending Jacob” star Chris Evans joins Variety Live! #AtHome where he shares all of his thoughts surrounding the Apple TV series and its dramatic season finale, which aired May 29.