The robot revolution has begun and Captain America is without his trusty shield.
Ultron, the unreasonably angry artificial intelligence program, has taken over the form of some battered autonomous Iron Man suits and is using them to blast apart a late-night Avengers party in Stark Tower. Just before a few carefully placed blasts hit the all-American super-soldier, he kicks up a heel, knocks a marble table into the air and uses it to block the attack.
In real life, on the Shepperton Studios set outside London, Chris Evans looks like he’s playing an invisible game of hacky sack. The massive stone table will be digitally added later. (Even though the actor is in great shape, no human foot could casually flip such an object into the air.)
Avengers: Age of Ultron filmmaker Joss Whedon is advising the other heroes to scatter, while Cobie Smulders, playing former S.H.I.E.L.D. agent Maria Hill, dives to the floor just below Cap. Whedon is puzzling over the choreography here.
He jokes that the next shot in the movie will be Hill rising up with all the plates, food, and napkins from the tabletop stuck to her body.
While they sort it out so she doesn’t enter the firefight looking like she just finished a food fight, Evans has some time to talk …
Entertainment Weekly: In the first Avengers film, Cap was the outsider still trying to figure out where he belonged. This time, he’s the leader.
Chris Evans: I think he’s trying to be. I don’t think he’s aggressively barking orders at people, but I think when you have all these powers and abilities, someone needs to steer the ship. So I think that is what he’s trying to do.
EW: The Winter Soldier really upended things for him. His old friend is still alive, maybe still out there, maybe he’s good, maybe not. Is he still grappling with all that?
Evans: That’s the tricky part about these movies. You have to kind of suspend those plotlines temporarily and find reasons to say ‘Okay, we’ll get to that in just one movie. We’ll get right back to that.’ It’s hard to kind of say with too much logic why he’s kind of putting that on the back burner. But he’s addressing the matter at hand, and right now that’s Ultron.
EW: A hero has to multitask.
Evans: Well that’s just it. You need to give a little bit of a nod to it because if you ignore it, it’s insulting the audience’s intelligence. But at the same time, the audience almost has to respect movies: ‘Look, do you guys want this? If you want The Avengers, we have to accept the fact that there’s going to be splinters in our plotlines.’
EW: I feel like Cap is the noblest of all the characters. He’s the only one who knows what it’s like to be powerless. To be on the other side of fear.
Evans: He does have a healthy understanding of what it feels like to be powerless, to be the victim. But he also has a healthy understanding of what it is to be a soldier. I think anytime you meet anyone that’s been in the military, when you fight alongside someone they become a brother. I think in a weird way he looks at his Avengers as his family at this point.
EW: Is family what he wants? A bond with a fellow fighter?
Evans: It’s certainly what he wants, but Cap puts what he wants last. That’s his M.O. And I think for so long he just refuses to bleed on people. So it’s hard to explore a guy who doesn’t want to make waves with his own personal conflict. He’s always trying to help the greater good.
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