I have updated the gallery with photos of Chris attending the IWC Schaffhausen Booth along with the “Come Fly With Us” Gala Dinner at the Salon International de la Haute Horlogerie (SIHH) last week on January 19th.

Chris attended the 73rd Annual Golden Globe Awards yesterday to present Spotlight as a contender for Best Picture–Drama. I have added two photos of him at the awards and you can check out a video below of him presenting!

I have added photos of Chris attending the Wizard World Comic Con in New Orleans on January 9th to the gallery!

“Captain America: Civil War” is featured in the February issue of Empire Magazine. I have added two digital scans from the issue to the gallery!

Sorry for the delay, but I finally had some free time on my hands to capture “Avengers: Age of Ultron. I have added blu-ray screencaptures from the movie along with some of the bonus features to the gallery! Enjoy!

Gallery Link:
Film Productions > Avengers: Age Of Ultron (2015)

Thanks to Claudia at Incredibly Downey Jr., I have added high quality digital scans of the latest Entertainment Weekly issue that features “Captain America: Civil War” to the gallery!

Entertainment Weekly has released new exclusive stills from “Captain America: Civil War.” Check out the stills in our gallery that feature Chris as Cap!

EW.COM – The crew called their big scene the “Splash Page.” That’s the comic-book term for a full-spread illustration that either opens a story or marks its climax.

For Captain America: Civil War, this was the moment they filmed an epic throwdown between two teams of heroes: the forces of Chris Evans’ red, white, and blue soldier on one side, clashing against the warriors aligned with Robert Downey Jr.’s Iron Man on the other.

The 2006-07 Marvel Comics series that inspired the movie, which opens May 6, explores the same enduring question of freedom versus safety. In the Mark Millar-scripted comics, hero turned against hero as some resisted government control of their identities and abilities while others sought compliance and regulation for the greater good. Captain America stood for independence from government control, while Iron Man worked to legislate and enforce responsibility on those with “enhanced abilities.”

“In most of the movies, there’s no question who we should be siding with,” Evans says during a break between shots. “We all agree Nazis are bad, aliens from space are bad. But this movie’s the first time where you really have two points of view. There’s really no wrong answer here and it’s just a matter of who we are as men: Tony Stark and myself. Which side of the aisle do we come down on? So it’s hard for [Cap]. It becomes a question of morality and I don’t think he’s ever been so uncertain with what right and wrong is.”

In this film, the new Avengers — seen assembling at the end of Age of Ultron — take on an old enemy: Frank Grillo’s Crossbones, last spotted getting a building dropped on his skull in 2013’s Captain America: The Winter Soldier. But… the takedown goes wrong. A lot of people die. A lot of innocent ones.

After all the chaos and catastrophe witnessed in the previous films, the world finally has had enough. Government officials from around the globe assemble to enact accords that would clamp down on those with super-human skills. One man helping form the new laws is a young leader named T’Challa (Chadwick Boseman) from the fictional African nation of Wakanda, who has a secret identity himself — the long awaited Black Panther.

But Cap has seen too much corrupt authority in his (unnaturally) long life. He ain’t marching anymore.

On this already broiling July morning in Fayetteville, Georgia, Evans is sweating through his Cap mask as he shoots the Splash Page — this culmination of the conflict over the accords.

He’s standing at the end of a flat expanse of asphalt, ringed with two-story green tarps that will allow special-effects artists to transform this Pinewood Studios parking lot into a tarmac at Leipzig/Halle International Airport.
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